not too late is norah jones highly anticipated third album. made up of 13 songs - all of which were written or co written by norah - the album was produced by lee alexander, norahs long time song writing partner/bass player. the album features distinct traces of dusty in memphis style southern soul, as well as the kind of sleepy, sultry vocals that have been ubiquitous in coffee houses all over the world since the release of her 20+ million selling 2002 debut album, come away with me.

mixes by duke dumont, art work, tomski and breakbot!!

erol alkan & switch mixes

castle donington quartet late of the pier return with brilliant new single the bears are coming. the single will be available on limited edition 12inch vinyl and digital download and will be released on the bands own zarcorp label. this amazing package features remixes from the fantastic emperor machine, joakim and beyond the wizards sleeve.

emanating from japan, and discovered by erid d. these re edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience !c.o.m.b.i 01 was released in october last year, 500 copies which sold out in a week! it was never repressed. so here we go again, c.o.m.b.i 02 is another glorious duo of obscure but dancefloor friendly edits!!

brilliant sweet n sexy deep late night jazzy house, very serious 12inch , made for fans of theo parrish, moodymann & co

perugia based deejay and producer adriano filippucci is the latest addition to the earresistible musick stable. upcoming sound-shifter is classically trained musician and composer with jazz and electronic music background as well as expert in analogue and digital synthesis. his opus includes releases under the monikers quartz, human tech and alpha duo and the adf projects was developed under the influence of artists such as sasha, john digweed and satoshie tomiie, although the traces of their sound cant be spotted easily in this release

you may already know barem (aka mauricio barembuem) from his releases on (un)foundsound, pariter and phonocult or from his remixes on resopal, mos ferry and einmaleins. if so you, wont be surprised in the slightest to find him surfacing on minus with never better than late to round off what has been another groundbreaking year for this ubiquitous label. the electro flavoured broken beats of so serial (digital only) make it the perfect tool for opening a set or for shifting the mood. the melancholy tones, the massive snare reverbs and the low, stuttering acid bassline gradually turn up the pressure before eventually triggering the 4/4 section, establishing the perfect platform to propel the eve! ning onto the next level. the fantastically titled ears conclu! des the release,offering more subsonic trickery in a similar vein. the percussive licks shift up and down amid a wash of reverbs and delays, while the bubbling bassline motors forward, keeping the scuttling efx in check

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

detroitish electrofied techhouse 3 tracker by karatemusik and karateklub boss oscar

second installment on the subject detroit limited x series. an uplifting late night technogroover and on the flip some japanese talking

excellent deep spacin tech tracks... with influences from dub, trance, minimal and detroit...

welcome to the new blufin imprint : yellow tail records. first release comes by the belgium based producer ramon tapia aka el carlitto with uhu + der alte, nightvision, while the kolombo remix reduces the idea to its core basic. pumping, groovy and with a raving attitude, that will for sure bring every dancefloor to the max. nightvision is the perfect addition to offer a broad sound spectrum on one ep. minimal, dark and hypnotic with similar sounds to landsky or late romboy productions. the cat likes it, and so will you. miaow !!

ruede hagelsteins >sweaty balls< and >heaven is on fire< got remixed by benjamin theves (kitsune), dj kaos and fcs north

phat groovin atmospheric techtrax

limited japan 12inch edition with dark and futuristic electro cuts

nice emotional electronic trechhouse

huge electrohouser with a bono like sounding male vocal

excellent jeff bennett classics !!!!!!

das letzte wort hat dj koze. mit psychedelisch,minimalacidfunkig, pop-ambientem weihnachtsgruss schickt er uns in den schnee. frohes fest

very 80s influenced progresssive electro track with a great acidic touch (sb)

great funky electro house track with a cool dark male vocal that rocks the world includes an yves larock rmx plus the 80s influenced here come the freaks !!! ep (sb)

orange vinyl from the quirky scandinavian starlet who is currently supporting royksopp on their tour

th enew hot kanye west double vinyl album incl his smashes diamonds from sierre leone, heard em say, gold digger ! feat cam ron, jay-z, maroon 5, brandy and more !!

smoothin deep late nite house tracks

pumpin 3 track classic techno / techhouse

ultrahard & faster kickin acid techno !!!

nach seinem ausflug nach souljazz ist secondo wieder daheim in schnitzelfunkhausen mit irren versionen von shannon s >sweet somebody< & jonzon crew s wasauchimme

top selection

cd+download card

features 4 new exclusive tracks by hot chip

floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterb�sen party girl von michelle gurevich, das den gleichnamigen franz�sischen film inspirierte. wehm�tige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den d�nischen song glemmer du, die vertonung von inger christensens poem for death, sowie den song bee dance. beide tontr�ger erscheinen wieder in topausstattung: cd als exklusives mixset, inkl. bonus-download-code mit allen ausgespielten tracks in wav/mp3-formaten, inkl. eines mehrseitigen booklets mit pers�nlichen liner notes zu jedem track im pappschuber.

includes bonus download code to the unmixed track versions in both wav,flac & mp3 formats. badbadnotgood bedienen sich der einfl�sse und inspirationen aus ihrer umfangreichen schallplattensammlung, verkn�pfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen k�nstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erz�hlung der ultimativen queen of siam, lydia lunch.

spätestens mit dem meisterwerk and they have escaped the weight of darkness- und seinem prämierten soundtrack für die tv-serie broadchurch wird olafur arnalds in einem atemzug mit jungen, angesagten, multitalentierten komponisten wie nils frahm oder jon hopkins genannt. diese verstehen es perfekt, experiment und abenteuer der elektronischen musik mit der sensibilität klassischer musik zu verbinden und wie hier auf der neuen late night tales mit brillantem post-dubstep (koreless, james blake) zu ergänzen. olafur arnalds steuert dazu mehrere exklusive tracks bei (u.a. seines techno-projekts kiasmos), sowie die obligatorische coverversion (destinys child say my name!). der ausklang erfolgt wie immer mit einer spoken word-perfomance, diesmal vom britischen broadchurch hauptdarsteller david tennant.

inspiriert vom post-minimalismus und modernen klassizismus von zeitgen�ssischen produzenten wie nils frahm, max richter oder steve reich, legt sasha ein neues album in der -late night tales reihe vor, das seinen bew�hrten style aus club-electronica und trance/progressive um neue facetten erweitert und bereichert. so h�ren wir einen neuen, hypnotischen, s�chtig machenden sound, pr�sentiert im longplayerformat, irgendwo zwischen einem mixset, studioalbum und soundtrack zu einem imagin�ren, n�chtlichen spaziergang. der song bring on the night-time ist eine vocal-kooperation mit ultraista, dem projekt des radiohead-produzenten nigel goodrich, der auch zus�tzliche keyboards beisteuert

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend. viele der tracks, ausgesucht aus seiner reichhaltigen plattensammlung aus schellacks, 7 und lps, kassetten, minidiscs und wav/mp3s, wurden neu editiert und mit effekten versehen. dennoch wirkt die zusammenstellung niemals wie ein mixset, sondern entfaltet sich eher wie eine fluffige daunendecke Über das gemüt des zuhörers. wir begegnen solch unterschiedlichen künstlern wie miles davis, boards of canada und nina simone, während nils frahm selber eine neuinterpretation des john cale tracks 4:33 als exklusives cover beisteuert.

shelly y nueva generación was a cult spanish soul and garage band that left an indelible mark on the late 1960s music scene.

shelly y nueva generación was a cult spanish soul and garage band that left an indelible mark on the late 1960s music scene.

reggae

2024 repress, 140g vinyl, remastered, double lp with the original lp along with a second record of 14 rare tracks

reissue - with all due respect to new york, los angeles, atlanta, and miami, the epicenter of the rap universe in 2016 just may be chicago. with young stars ranging from chief keef to chance the rapper to lil bibby to vic mensa, the windy city continues to push the boundaries of hip-hop music and culture. the latest artist to emerge from this hotbed of talent is mick jenkins, a gifted lyricist who has built a strong buzz online with a series of acclaimed mixtapes. now, one of those collections will be available in physical format for the first time ever, with a limited-edition vinyl pressing of the waters set to hit stores soon. originally released online in late 2014, the waters features appearances from fellow rising stars joey bada$$ and noname gypsy, plus production from statik selektah, kirk knight, j.u.s.t.i.c.e. league, dj dahi, and many more. xxl called the project an indisputable success, declaring jenkins a formidable opponent to some of hip-hops most highly regarded mcs

rsd release